Sans Faceted Akdi 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Surt' by Blaze Type, 'Coil' by Brownfox, 'Ava Grand' by Matt Chansky, 'Coplette' by Maulana Creative, 'Jindo' by Nine Font, and 'Hint' by ParaType (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, packaging, industrial, sporty, futuristic, tactical, retro tech, impact, geometry, machined feel, branding, display, octagonal, chamfered, blocky, angular, sturdy.
A heavy, block-built sans with faceted construction: curves are replaced by straight segments and clipped corners that read as octagonal forms. Strokes are uniform and dense, with broad counters and simplified apertures that keep shapes bold and compact. The design relies on strong verticals and flat terminals, while diagonals and chamfers create a consistent mechanical rhythm across rounds like C, O, and G as well as numerals. Lowercase follows the same planar logic, producing sturdy, geometric silhouettes with squared shoulders and controlled spacing in text.
Best suited to display contexts where bold, geometric letterforms are meant to read quickly and feel deliberate—headlines, identity marks, sports and esports graphics, packaging, and signage. It also works well for short UI labels or game/interface titling where a technical, armored tone is desired.
The faceted geometry gives the face an engineered, no-nonsense attitude—part athletic signage, part sci‑fi interface. Its hard corners and compact mass project strength and utility, suggesting equipment labels, team branding, and industrial wayfinding. Overall it feels assertive, technical, and built for impact rather than softness or nuance.
The design appears intended to translate a geometric, machined aesthetic into a robust sans, using consistent chamfers to unify the alphabet and numerals. The goal seems to be high impact and immediate recognizability, with a signature faceted look that stays coherent across mixed-case text and figures.
The octagonal treatment is especially prominent in round letters and figures, creating a cohesive set of “cut” corners throughout. In running text, the strong shapes and tight internal detailing encourage display use, where the distinctive facets remain clear at a glance.