Sans Superellipse Ubbis 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Framer Sans' by June 23, 'DIN Next' and 'DIN Next Paneuropean' by Monotype, 'Din Condensed' by ParaType, and 'PF DIN Text' by Parachute (names referenced only for comparison).
Keywords: posters, headlines, packaging, labels, signage, rugged, poster-like, hand-pressed, industrial, friendly, impact, tactility, compactness, handmade feel, headline voice, condensed, chunky, soft-cornered, irregular, inked.
A condensed, heavy sans with rounded-rectangle (superellipse) construction and softened corners throughout. Strokes are thick and largely uniform, but the outlines show subtle waviness and inky edge texture that reads like letterpress or stamped printing. Curves are compact and squared-off rather than perfectly circular, and terminals tend to end bluntly with slight rounding. Spacing is tight and the overall rhythm is dense, with small counters and sturdy joins that keep forms solid at display sizes.
Best suited for bold headlines, posters, signage, and packaging where a compact, impactful word shape is useful. The textured, inked silhouette also works well for labels, badges, and branding applications that want a handcrafted or print-stamp character.
The font communicates a bold, workmanlike energy—part poster headline, part hand-printed label. Its softened geometry keeps it approachable, while the roughened edges add grit and a tactile, analog feel. The overall tone suggests crafted, utilitarian design rather than polished corporate minimalism.
The design appears intended to deliver high-impact, space-efficient display typography with a tactile, printed feel. By combining rounded-rectangle geometry with intentionally imperfect edges, it aims to look strong and utilitarian while still feeling human and approachable.
Distinctive glyph cues include a single-storey lowercase “a,” a simple, vertical-stem “i/j” with square dots, and numerals that feel sturdy and slightly irregular along the edges. The condensed proportions and reduced interior spaces make it most comfortable when given room to breathe in leading and tracking, especially in longer lines of text.