Sans Other Otji 2 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, gaming ui, tech branding, futuristic, techno, sci‑fi, industrial, geometric, sci‑fi styling, tech signaling, systemic geometry, display impact, angular, squared, extended, stencil‑like, modular.
A geometric, extended sans built from straight, monoline strokes with squared curves and frequent 45° chamfers at corners and terminals. Counters tend to be rectangular or octagonal, producing a rigid, modular rhythm; rounds like O and Q read as squared rings, and many joins are sharply notched rather than smoothly curved. The lowercase uses compact, largely one-storey constructions with open, simplified bowls and short horizontal arms, keeping a consistent, engineered texture across text. Numerals follow the same boxy logic, with segmented-looking horizontals and clipped corners that reinforce the typeface’s constructed feel.
Best suited to display applications where its angular construction can carry a strong theme—headlines, logos, packaging, esports and gaming UI, and tech or sci‑fi promotional graphics. It also works well for short labels, interface titles, and system-like typography where a constructed, futuristic voice is desired.
The overall tone is futuristic and machine-made, suggesting interfaces, hardware markings, and sci‑fi worldbuilding. Its sharp angles and squared bowls feel assertive and technical, with a slightly retro-digital flavor that reads as purposeful rather than friendly.
The typeface appears designed to project a engineered, sci‑fi identity through modular geometry, squared counters, and chamfered terminals, prioritizing distinctive silhouette and thematic impact over neutral text economy.
The design relies heavily on flat horizontals and verticals, so it creates strong horizontal banding in paragraphs, especially where interior crossbars and segmented strokes repeat. Distinctive chamfered terminals and squared counters give it high recognizability at display sizes, while the rigid geometry can make dense copy feel visually busy.