Sans Normal Remaz 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Houschka Alt Pro', 'Houschka Pro', 'Houschka Rounded', and 'Houschka Rounded Alt' by G-Type; 'Mersin' by Hurufatfont; 'Daikon' by Pepper Type; and 'AW Conqueror Std Sans' by Typofonderie (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, contemporary, straightforward, playful, impact, clarity, approachability, modernity, simplicity, rounded, geometric, soft corners, closed apertures, high weight.
A heavy, rounded sans with simple geometric construction and broadly uniform strokes. Curves are full and smooth, terminals are blunt and softly squared, and counters are compact, giving letters a solid, blocky presence. The proportions feel balanced and contemporary, with a moderate x-height and slightly condensed interior spaces that tighten the texture in text. Numerals match the letterforms with the same sturdy weight and rounded joins, and overall spacing reads even and stable at display sizes.
Best suited to headlines, logos, and promotional typography where a strong, friendly voice is needed. The dense weight and compact counters hold up well in posters, packaging, labels, and signage, and can also work for short UI labels or callouts when generous sizing is available.
The tone is warm and approachable while still feeling assertive and modern. Its softened geometry keeps it friendly, but the dense color and compact counters add confidence and impact, lending a mildly playful, tech-adjacent cleanliness without becoming quirky.
The design appears intended to deliver maximum clarity and impact through simplified, rounded forms and consistent stroke behavior. It prioritizes a clean geometric feel and an approachable personality, aiming for bold readability and a modern, versatile display voice.
Round letters like O and Q are near-circular with a firm, graphic silhouette; the Q’s tail is short and angled. Diacritics shown in the sample (i/j dots) are clean and circular, reinforcing the geometric theme. The overall rhythm is consistent, producing a strong, uniform typographic color that favors headlines and short blocks of copy.