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Sans Faceted Abmih 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Folio EF' by Elsner+Flake, 'Folio' by Linotype, 'Lituora' and 'MC Defoils' by Maulana Creative, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Ordax' by The Northern Block, and 'Folio' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, authoritative, retro, tough, impact, space saving, ruggedness, geometric character, condensed, blocky, faceted, angular, slab-like terminals.


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A condensed, heavy display sans with an angular, faceted construction that replaces most curves with clipped planes. Strokes are uniformly thick and the joins are crisp, producing a compact, rectangular rhythm with tightly contained counters. Terminals tend to be squared-off with small chamfers, giving round letters like O and C a cut, geometric feel. Uppercase forms are tall and columnar, while the lowercase maintains similarly narrow proportions with sturdy bowls and short, sturdy arms.

Best suited for bold headlines, posters, and branding where a compact width and high impact are useful. It can also work well for labels, packaging, and environmental/signage applications that need sturdy, attention-grabbing letterforms in limited horizontal space.

The overall tone is forceful and utilitarian, with a confident, no-nonsense presence. Its sharp facets and compressed stance evoke signage, sports branding, and industrial labeling, leaning toward a slightly vintage, poster-like toughness rather than a neutral text voice.

The design appears aimed at delivering maximum visual impact in a condensed footprint, using faceted geometry to add character and a rugged, engineered feel. It prioritizes strong silhouettes and consistent weight for clear, emphatic display typography.

The faceting creates distinctive silhouettes that read strongly at large sizes, especially in rounded characters and numerals where the clipped curves become a key identifier. The density of the shapes and tight apertures suggest it benefits from generous tracking and ample line spacing when used in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸