Sans Faceted Bety 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'TheSans' by LucasFonts, 'Volcano' by Match & Kerosene, 'Morandi' by Monotype, and 'Fact' by ParaType (names referenced only for comparison).
Keywords: posters, sports branding, headlines, logos, packaging, athletic, industrial, arcade, retro, commanding, impact, bold display, geometric styling, signage, faceted, angular, blocky, octagonal, stencil-like.
A heavy, geometric sans with sharply faceted construction that replaces curves with clipped corners and planar angles. Strokes are consistently thick with minimal modulation, producing dense, black shapes and sturdy counters. Many glyphs resolve into octagonal or chamfered silhouettes (notably round letters and numerals), and terminals tend to end in straight cuts or angled notches. The overall rhythm is compact and headline-forward, with squared joins and a crisp, mechanical geometry that stays consistent across uppercase, lowercase, and figures.
Best suited for headlines, posters, branding marks, and short punchy statements where the faceted shapes can be appreciated at larger sizes. It also fits athletic graphics, event signage, product packaging, and entertainment or arcade-themed design where a bold, engineered texture is desirable.
The faceted geometry and assertive weight give the font a tough, sporty energy with a retro-mechanical edge. It reads as bold and purposeful, suggesting uniforms, signage, and game-like display typography rather than quiet editorial text.
Likely designed to deliver maximum impact through a robust, angular silhouette while echoing the feel of cut metal, carved lettering, or jersey-style display forms. The consistent chamfering and simplified geometry prioritize strong presence and quick recognition over delicate typographic nuance.
Distinctive chamfering creates strong internal shapes in letters like O/Q and in numerals, helping maintain legibility at large sizes while emphasizing a rigid, constructed look. The lowercase follows the same angular logic as the caps, reinforcing a unified, display-oriented voice.