Sans Faceted Egbi 11 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Korolev' by Device, 'HD Colton' by HyperDeluxe, 'Neusa Neu' by Inhouse Type, 'Chandler Mountain' by Mega Type, and 'Tolyer' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, packaging, sporty, industrial, aggressive, retro, impact, speed, ruggedness, branding, angular, chiseled, blocky, compact, high-impact.
A heavy, forward-leaning display sans built from sharp, planar facets rather than smooth curves. Strokes are thick and mostly uniform, with corners cut into crisp bevels that create an octagonal, chiseled rhythm across rounds and diagonals. The letterforms are compact and tightly shaped, with squared terminals, steep diagonals, and simplified counters that stay open but dense at small apertures. Numerals follow the same faceted construction, keeping a sturdy, sign-like solidity and consistent angle language.
Best suited for headlines, posters, event graphics, and branding where impact and motion are priorities. It works well for sports identities, product packaging, and logo wordmarks that benefit from a tough, engineered feel. Use at medium-to-large sizes to preserve the facet details and maintain clear counters.
The overall tone is forceful and kinetic, combining a speed-driven slant with hard-edged geometry. Its faceted cuts evoke machined metal, athletic branding, and assertive headline typography, giving a confident, no-nonsense voice with a slightly retro, arcade/sports-poster edge.
This design appears intended to deliver maximum punch with a sense of speed and machined precision. By replacing curves with bevels and keeping strokes uniformly heavy, it aims for a durable, high-energy display voice that remains stylistically consistent across caps, lowercase, and figures.
The consistent beveling is a defining motif: it unifies curved letters (like C/O/Q) with straight-sided forms (like E/F/T) and keeps visual texture lively even in large blocks of text. The bold massing favors short words and prominent sizing, where the angled cuts read as intentional detailing rather than crowding.