Sans Faceted Ilbe 6 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: display, ui labels, tech branding, posters, titles, futuristic, technical, schematic, minimal, digital, sci‑fi styling, interface design, modular geometry, constructed forms, monoline, angular, faceted, geometric, open counters.
A monoline, sharply faceted sans with curves largely replaced by straight segments and clipped corners. Strokes terminate in squared ends with small breaks and notch-like interruptions that give many forms a constructed, segmented feel. Bowls and counters tend to be open or partially unclosed, emphasizing a skeletal structure over continuous outlines. Proportions are geometric and slightly condensed in rhythm, with consistent stroke weight and a crisp, linear texture across text settings.
Best suited to display contexts where its angular, segmented construction can be appreciated—titles, posters, product names, and tech-forward branding. It also works for short UI labels, dashboards, and sci‑fi themed graphics where a schematic, digital flavor is desired, while extended paragraphs may feel visually busy due to the frequent breaks and open forms.
The overall tone is futuristic and technical, reminiscent of interface labeling, instrumentation, and schematic lettering. Its fractured joins and angular contours create a deliberate, engineered character that reads as precise and synthetic rather than warm or organic.
The design appears intended to translate a geometric, faceted concept into a clean sans framework, prioritizing an engineered, modular aesthetic. By introducing controlled gaps and clipped corners, it aims to evoke digital or fabricated lettering while remaining legible in short bursts of text.
Uppercase forms are built from straight runs and diagonals, while the lowercase keeps the same segmented logic, producing a cohesive system across cases. The numerals follow the same broken-stroke construction, maintaining a consistent voice in mixed alphanumeric settings. The distinctive interruptions along strokes become more noticeable at larger sizes, where the faceted geometry reads as a stylistic feature rather than purely functional simplification.