Sans Superellipse Odli 2 is a regular weight, wide, medium contrast, upright, normal x-height font visually similar to 'Naftera' by Graviton (names referenced only for comparison).
Keywords: ui labels, wayfinding, tech branding, product packaging, headlines, tech, futuristic, clean, industrial, systematic, geometric clarity, interface utility, modern branding, cohesive numerals, rounded corners, squarish, geometric, modular, monoline.
A squarish geometric sans with superelliptical construction: curves resolve into rounded-rectangle bowls and counters, and terminals are consistently softened with generous radii. Strokes are largely monoline with restrained contrast, producing an even, engineered texture across words. Many shapes lean toward rectilinear skeletons (notably in C, G, S, and the numerals), while diagonals (A, K, V, W, X, Y) are crisp and stable, giving the design a precise, technical rhythm. Counters are open and roomy, and spacing reads even and controlled in the text sample, with a slightly extended, display-friendly stance.
This font suits interface labels, dashboards, and product environments where a clean geometric voice and consistent rounding help maintain a modern, technical feel. It also works well for headlines, posters, and short-to-medium copy where its squared curves and steady rhythm can become a recognizable visual signature.
The overall tone is contemporary and technology-forward, with a streamlined, UI-like discipline. Its rounded corners soften the mechanical geometry, creating a friendly but still utilitarian voice that suggests digital interfaces, instrumentation, and modern product design.
The design appears intended to translate rounded-rect geometry into a practical sans that feels both engineered and approachable. Consistent corner radii and modular proportions suggest a focus on cohesion across letters and numerals, optimizing for clear, contemporary display and interface contexts.
The numeral set follows the same rounded-rect logic, with boxy forms and consistent corner treatment that keep figures visually aligned with the letters. Lowercase forms appear intentionally simplified and modular, supporting a cohesive, signage-like clarity at larger sizes.