Sans Faceted Ligo 6 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio (names referenced only for comparison).
Keywords: display, headlines, branding, posters, ui, tech, industrial, futuristic, tactical, arcade, sci‑fi styling, geometric system, digital display, mechanical feel, branding impact, angular, octagonal, chamfered, modular, geometric.
A geometric sans built from straight strokes with consistent chamfered corners that replace curves with crisp facets. Counters and bowls read as octagonal forms, and terminals are squared-off with diagonal cuts that create a tight, engineered rhythm. Stroke weight is even and edges are clean, giving the design a modular, constructed feel; widths vary by glyph (notably wide capitals like M/W versus narrower forms like I), while spacing stays orderly and compact for a controlled texture.
Best used at display sizes where the corner facets and polygonal counters are clearly visible—headlines, titles, logos, packaging, and posters. It can also work for interface labels, game UI, and tech-themed graphics when a sharp, constructed voice is desired, though long passages may benefit from generous size and spacing to preserve clarity.
The faceted geometry and hard-edged joins convey a technical, sci‑fi tone with an industrial, utilitarian attitude. It feels suited to environments where precision, machinery, and digital interfaces are implied, leaning toward an arcade/tactical aesthetic rather than a warm or handwritten one.
The design appears intended to translate a sans-serif skeleton into a faceted, planar system, prioritizing consistency of angles and a manufactured look over smooth curvature. Its letterforms aim for immediate stylistic recognition through chamfered corners and octagonal internal shapes, creating a bold, modern visual signature.
Diagonal corner cuts are used consistently across uppercase, lowercase, and numerals, producing a distinctive "machined" silhouette. The lowercase follows the same angular logic, with single-storey forms and squared apertures that keep the texture uniform in continuous text. Numerals are similarly polygonal and signage-like, reinforcing the font’s systematic construction.