Sans Normal Okmem 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Minimalism' by Adita Fonts, 'FF Infra' by FontFont, 'Monto Grotesk' by Lucas Tillian, 'Live Grotesk' by Matt Chansky, and 'Reyhan' by Plantype (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, modern, confident, clean, friendly, straightforward, impact, clarity, modernity, simplicity, geometric, rounded, monolinear, high legibility, large counters.
This is a heavy, geometric sans with largely monolinear strokes and smooth, circular bowls. Curves are clean and well-rounded, with generous apertures and counters that keep forms open even at dense weights. Terminals are mostly square-cut, giving the design a crisp, engineered finish, while the overall construction stays consistent and restrained. The lowercase shows a single-storey a and g, and the numerals are robust and evenly proportioned for strong presence in headlines.
It performs best in display roles such as headlines, posters, and bold brand statements where the weight and geometric structure can carry the layout. The clean shapes and open counters also make it suitable for signage and packaging that needs quick readability at a glance.
The tone is contemporary and assured, with a no-nonsense clarity that reads as practical and direct. Rounded geometry softens the weight, keeping it approachable rather than aggressive. Overall it projects a modern, utilitarian confidence suited to clear communication.
The font appears intended as a modern, geometric workhorse for impactful communication—prioritizing clarity, solid rhythm, and contemporary shapes that reproduce reliably across print and digital contexts.
Spacing appears even and compact enough for punchy setting, while the large interior spaces help maintain legibility in heavier text. The design’s simple geometry and squared terminals create a strong rhythm that holds up in short lines and large sizes.