Sans Superellipse Miku 13 is a very bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, posters, logos, gaming, sports branding, futuristic, tech, sporty, friendly, display impact, tech styling, brand voice, geometric consistency, rounded, geometric, squared, softened, chunky.
A heavy, rounded geometric sans built from soft-cornered rectangles and smooth arcs. Strokes are consistently thick with minimal contrast, and terminals are fully rounded, producing a padded, molded look. Counters tend toward rounded-rectangular apertures, with generous interior spacing for the weight; several forms use horizontal slot-like cutouts (notably in E, F, S and some numerals), reinforcing a streamlined, engineered rhythm. The lowercase is large relative to capitals, and the overall spacing and proportions favor compact, blocky silhouettes with clear, stable baselines.
Best suited to display settings where the bold, rounded geometry can carry personality—headlines, posters, packaging titles, and logo/wordmark work. It also fits UI-themed graphics, esports and sports branding, and sci‑fi or tech-forward media where the slot-and-superellipse motifs feel intentional. For long passages at small sizes, the heavy weight and stylized openings may reduce comfort compared to more conventional text faces.
The design projects a contemporary, techno-forward tone with a playful softness. Its rounded corners and inflated mass feel approachable, while the squared geometry and slit-like details suggest interfaces, machinery, and sci‑fi styling. Overall it reads energetic and modern rather than formal.
The likely intention is a contemporary display sans that merges soft, rounded industrial forms with a techno aesthetic. The consistent stroke weight, superelliptical construction, and repeated horizontal slot details appear designed to create a cohesive, instantly recognizable voice for branding and high-impact typography.
Diagonal-heavy letters (K, V, W, X, Y) keep the same softened joints and rounded ends, maintaining consistency despite the angular structure. The numeral set follows the same superelliptical logic, with 0 and 8 reading as rounded rectangles and several digits using horizontal openings that echo the uppercase detailing.