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Free for Commercial Use

Sans Superellipse Osbuh 4 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'FF Good Headline' by FontFont, 'Gratique' by Lemon Studio Type, 'Herd' by Wahyu and Sani Co., and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, bold, industrial, confident, compact, punchy, space saving, high impact, modern utility, display clarity, blocky, condensed, monoline, rounded corners, tight apertures.


Free for commercial use
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A heavy, compact sans with monoline strokes and rounded-rectangle construction that gives curves a squarish, superelliptical feel. Counters are relatively tight and apertures are restrained, producing dense, high-impact word shapes. Terminals are clean and mostly flat, with subtly softened corners that keep the texture from feeling brittle. Proportions favor a tall, condensed stance; bowls and shoulders stay sturdy and enclosed, and the numerals match the same robust, condensed rhythm.

Best suited to headlines, posters, and branded lockups where a compact, forceful voice is needed. It also works well for signage and packaging that benefits from dense, space-efficient letterforms and strong silhouette recognition at larger sizes.

The overall tone is assertive and utilitarian, with a straightforward, no-nonsense presence. Its compact density and squared-round curves evoke industrial signage and athletic or editorial display styling, reading as confident and loud without becoming decorative.

This font appears designed to deliver maximum impact in limited horizontal space, using sturdy strokes and squared-round geometry to create a consistent, contemporary display texture. The emphasis is on bold legibility and a pragmatic, modern voice rather than refinement for long reading.

In text, the dark color builds quickly and creates a strong horizontal banding, so spacing and line length become important to maintain clarity. The design’s tight apertures and condensed forms favor impactful headings over delicate typographic nuance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸