Sans Superellipse Ogrek 2 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Robuck' by Martype co, 'MC Magtons' by Maulana Creative, 'Grand' by North Type, 'Aureola' by OneSevenPointFive, 'Stallman Round' by Par Défaut, 'Hornsea FC' by Studio Fat Cat, 'Lugak Sans' by holyline design, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, sports branding, industrial, sporty, retro, assertive, compact, impact, space-saving, signage, branding, sturdiness, condensed, blocky, rounded corners, rectangular, high contrast counters.
A condensed, blocky sans with a squared-off, rounded-rectangle construction throughout. Strokes are uniformly heavy with tight, vertical proportions and relatively small, rectangular counters that keep the texture dense. Corners are consistently softened, giving a superellipse feel rather than sharp geometric joints, and terminals tend to be blunt and horizontal. The lowercase is compact with short extenders and simplified joins, maintaining a steady rhythm that reads like a series of stacked verticals and rounded rectangles.
This font performs best in short-to-medium display settings where compact width and heavy weight are assets, such as posters, headlines, apparel graphics, and packaging. It can also work for bold wordmarks and lockups that need a tight, vertical footprint. For longer passages, its dense color and small counters suggest using generous size and spacing to preserve clarity.
The overall tone is forceful and utilitarian, with a compact, high-impact presence that feels at home in industrial and sporty contexts. Its rounded corners add a friendly, slightly retro flavor, tempering the strict block geometry without losing toughness. The dense color and tight spacing cues suggest urgency and emphasis, suitable for loud, attention-grabbing messaging.
The design appears intended to deliver maximum impact in minimal horizontal space, using a rounded-rectangle skeleton to create a cohesive, industrial display voice. Its consistent corner rounding and blunt terminals suggest a focus on sturdy, reproducible shapes that stay recognizable at large sizes and in high-contrast applications.
Round forms such as C, G, O, and 0 lean toward squared ovals with flat-ish sides, reinforcing a mechanical, sign-like personality. The numerals and capitals appear particularly poster-oriented, while the condensed lowercase keeps word shapes narrow and uniform, producing a strong, consistent headline texture.