Sans Superellipse Utrat 2 is a regular weight, wide, medium contrast, upright, normal x-height font visually similar to 'Taz' by LucasFonts, 'Belle Sans' by Park Street Studio, and 'Allumi Std' by Typofonderie (names referenced only for comparison).
Keywords: ui text, product design, signage, branding, editorial, clean, modern, technical, friendly, neutral, clarity, modernization, systematic design, approachability, rounded, geometric, open, monolinear, crisp.
A rounded, geometric sans with superelliptical curves and squared-off terminals that create a soft-rectangular silhouette. Strokes are mostly even with subtle modulation, and counters tend to be open and generously sized, aiding clarity. Uppercase forms are broad and stable with smooth joins, while lowercase maintains a straightforward, contemporary construction; bowls and arches lean toward rounded-rectangle geometry rather than pure circles. Numerals follow the same softened geometry, with compact curves and flat-ish ends that keep the rhythm consistent across text and display sizes.
Well-suited for interface typography, dashboards, and product ecosystems where clean geometry and consistent rhythm help maintain legibility. The wide, open shapes also make it a strong candidate for signage and wayfinding, and it can support contemporary branding and editorial layouts that want a modern, approachable sans without overt personality.
The overall tone is contemporary and composed, balancing a technical, UI-ready precision with approachable roundedness. It feels neutral and utilitarian rather than expressive, with a gentle friendliness coming from the softened corners and calm proportions.
The letterforms suggest an intention to deliver a modern, systematic sans built around softened rectangular geometry—aiming for clear, dependable reading in practical contexts while avoiding harshness through rounded corners and open counters.
Round letters show a characteristic squarish roundness (more superellipse than circle), and many strokes finish with clean, horizontal or vertical cuts rather than tapered endings. The design reads evenly in lines of text, with consistent spacing and a steady horizontal flow.