Sans Normal Almom 9 is a regular weight, very wide, medium contrast, upright, normal x-height font visually similar to 'LCT Picon' by LCT, 'Belle Sans' by Park Street Studio, 'Saint Regus' by Sonar Hubermann, 'FM Bolyar Sans Pro' by The Fontmaker, and 'Giane Gothic sans' by XdCreative (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui text, modern, neutral, friendly, clean, clarity, modern branding, geometric simplicity, display presence, geometric, rounded, open, spacious, boldish.
A wide, geometric sans with smooth, rounded curves and clean terminals. Stroke weight is fairly even across forms, with subtle contrast showing mainly where curves meet stems. Counters are generous and openings are wide, giving letters a spacious rhythm; round glyphs like O/C/G read as near-circular, while straight-sided letters (E/F/H/N) keep a crisp, engineered feel. The lowercase is compact and straightforward, with single-storey a and g, simple shoulders, and a dotted i/j with round dots, contributing to an uncluttered texture in text.
Best suited to display settings where width and clarity can work in its favor, such as headlines, posters, and brand marks. The open shapes and even color also translate well to short-to-medium UI and marketing text, especially at larger sizes where its spacious proportions remain readable.
The overall tone feels modern and approachable—confident without being loud. Its broad proportions and rounded geometry lend a friendly, contemporary voice suited to clear, no-nonsense messaging.
The design appears intended to deliver a contemporary geometric sans personality with an emphasis on openness and presence. Its wide stance and rounded construction suggest a focus on clear, friendly communication and strong visual impact in layout.
Numerals are similarly open and geometric, with smooth curves on 2/3/5 and a clear, rounded 8 and 9. Diagonals (V/W/X/Y) are sturdy and symmetrical, and the Q shows a short, angled tail that stays restrained rather than decorative.