Sans Normal Onkos 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Brix Sans' by HVD Fonts, 'Qamari Sans' by NamelaType, 'Clear Sans Screen' and 'Clear Sans Text' by Positype, 'June Pro' by Schriftlabor, 'Arthura' by Seniors Studio, and 'Foundry Sterling' by The Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, modern, confident, clean, approachable, clarity, impact, approachability, modernity, versatility, geometric, rounded, compact, sturdy, crisp.
A sturdy sans with geometric construction and softly rounded curves. Strokes are consistently heavy with minimal modulation, producing solid counters and clear silhouettes. The uppercase set feels compact and stable, with broad bowls (B, D, P, R) and a circular, even rhythm in C, G, O, and Q; joins are clean and terminals are generally straight, giving a crisp, engineered finish. The lowercase is straightforward and highly legible, with simple, open shapes (a, c, e) and a single-storey g; round dots on i/j reinforce the overall softness. Numerals are wide and prominent, matching the weight and roundness of the letters for strong display presence.
Performs best in headlines, short blocks of copy, and brand statements where weight and clarity are priorities. The heavy, rounded forms also suit packaging, signage, and UI banners where legibility at a glance matters, while still remaining readable in brief text passages.
The overall tone is contemporary and approachable, combining a friendly roundness with a confident, no-nonsense weight. It reads as practical and energetic rather than refined, making it feel suitable for clear messaging and upbeat branding.
Designed to provide a modern, friendly sans voice with strong presence. The intention appears to balance geometric simplicity and approachable roundness, delivering clear, confident typography for contemporary communication.
Spacing and proportions appear tuned for punchy readability, with compact letterforms that hold together well in dense text. Several shapes lean geometric (notably O/Q and the bowls), while diagonals (V/W/X/Y) maintain a strong, stable stance that supports headline use.