Font Hero

Free for Commercial Use

Sans Superellipse Pemun 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Nasional Sans' by Jetsmax Studio; 'Amfibia', 'Karibu', and 'Movida' by ROHH; 'Amsi Pro', 'Amsi Pro AKS', and 'Sans Beam' by Stawix; 'MaryTodd' by TipoType; and 'Probeta' by deFharo (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, compact, industrial, sporty, friendly, impact, space saving, modern utility, blocky, rounded, sturdy, geometric, condensed.


Free for commercial use
Customize the font name

This typeface is a dense, heavy sans with compact proportions and rounded-rectangle construction throughout. Curves are squarish and controlled, with softened corners that keep the forms approachable while staying firmly geometric. Strokes maintain a consistent thickness with minimal modulation, producing an even, poster-like color on the page. Counters are relatively tight and openings are modest, while terminals tend to be flat and decisive, reinforcing a sturdy, engineered feel.

It performs best in headlines, posters, logos, packaging, and signage where a compact footprint and high impact are desirable. The strong, even stroke weight makes it effective for labels and UI callouts that need immediate visibility, especially when set in short phrases or stacked compositions.

The overall tone is bold and assertive, built to feel strong and dependable at a glance. Its rounded geometry softens the impact just enough to read as modern and accessible rather than aggressive. The condensed rhythm gives it a punchy, space-efficient voice suited to attention-getting typography.

The design appears intended to deliver maximum presence in minimal space, using condensed proportions and robust, rounded-rectangular shapes for a contemporary, utilitarian look. It prioritizes bold clarity and graphic consistency, aiming for strong hierarchy and brandable forms.

The superelliptical approach is especially evident in round letters and numerals, which read more like rounded rectangles than circles. In text, the weight and compact spacing create a dark, consistent texture that favors short lines and strong hierarchy over airy editorial settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸