Sans Superellipse Ogdoj 2 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'FS Industrie' by Fontsmith, 'Camore' by Maulana Creative, 'Navine' by OneSevenPointFive, and 'Breuer Text' by TypeTrust (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, modern, friendly, confident, utility, tech, clarity, modernization, approachability, impact, systematization, rounded, compact, blocky, geometric, sturdy.
A heavy, geometric sans with rounded-rectangle construction and soft corners throughout. Strokes are uniform and dense, with compact counters and a consistent, engineered rhythm. Curves lean toward superelliptical bowls (notably in C, G, O, and 0), while joins and terminals stay clean and squared-off rather than flared. The lowercase is built for clarity with a tall x-height, open apertures in letters like e and c, and simple, straight-sided stems; figures are equally solid and monoline, matching the letterforms in weight and corner treatment.
Well-suited for headlines, brand marks, packaging, and signage where a sturdy, contemporary voice is needed. It can also work in interface or product contexts that benefit from a compact, rounded geometry and strong typographic color.
The overall tone is modern and approachable, with a confident, no-nonsense presence. Rounded corners keep it friendly and contemporary, while the dense color and disciplined geometry give it a utilitarian, tech-adjacent feel.
The font appears intended to deliver a contemporary geometric look with softened corners, balancing friendliness with a strong, practical presence. Its consistent stroke behavior and rounded-rectangle shapes suggest a focus on clear, repeatable forms that stay recognizable in bold applications.
The design favors stability and legibility at display-to-UI sizes, with tight internal spaces that create a strong typographic “block” on the page. Letterforms such as the single-storey a and the compact, rounded g reinforce the geometric, system-like character, and punctuation appears robust enough to hold up in bold settings.