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Free for Commercial Use

Serif Other Tefy 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Proteina' by MendozaVergara, 'Bronco Valley' by Variatype, and 'Buyan' by Yu Type (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, western, vintage, circus, woodtype, poster, display impact, vintage revival, space saving, signage feel, beveled, bracketed, angular, chiseled, high-contrast.


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A condensed display serif with sturdy verticals, tight sidebearings, and a largely even stroke weight punctuated by sharp, faceted joins. The serifs read as bracketed yet strongly squared-off, with wedge-like terminals and chamfered corners that create a carved, woodtype-like silhouette. Counters are compact and often rectangular or softly rounded rectangles, and curved letters (C, G, O) are constructed from segmented arcs rather than smooth bowls, reinforcing the angular rhythm. Numerals are tall and blocky with the same beveled treatment, and the lowercase keeps a simplified, sturdy structure with small, hard-edged details (notably in a, e, g, and t).

Best suited for headlines, posters, and short display lines where its carved details and condensed proportions can read clearly. It works well for signage, labels, and packaging that want a vintage or Western-leaning voice, and for branding marks that need a sturdy, attention-grabbing serif.

The overall tone is emphatic and nostalgic, evoking 19th–early 20th century display typography used on posters and signage. Its sharp facets and condensed stance lend a slightly theatrical, showbill character while still feeling rugged and utilitarian.

The design appears intended as a characterful, space-efficient display face that channels historic woodtype and showbill influences. Its faceted construction and emphatic terminals prioritize visual punch and period flavor over neutral text performance.

In text, the strong vertical emphasis and tight widths create a dense, high-impact texture. The distinctive spurs and chamfers are visually prominent at larger sizes and can become busy if set too small or with tight line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸