Sans Other Bikud 15 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Goodrich' by Hendra Pratama, 'Earthboy' by Supfonts, and 'Rainforest' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, titles, playful, quirky, cartoonish, hand-cut, chunky, display impact, handmade feel, playful branding, texture, irregular, rounded, angular, bouncy, expressive.
A compact, heavy sans with chiseled, hand-cut contours and subtly irregular geometry. Strokes are consistently thick with squared ends and occasional wedge-like cuts, creating a carved silhouette rather than a smooth mechanical outline. Curves (C, O, S) are slightly pinched and asymmetrical, while diagonals (K, V, W, X) feel sturdy and blocky. Lowercase forms are simple and bold with a single-storey a, a compact e, and a narrow, tall l; spacing and widths vary noticeably, producing a lively, uneven rhythm in words and lines.
Best suited to display work where bold personality is the goal: posters, event flyers, playful branding, packaging, and logo wordmarks. It also works well for titles, signage, and short callouts where its irregular rhythm can add charm and immediacy.
The overall tone is playful and mischievous, with a cartoon poster energy that feels handmade rather than engineered. The irregular cuts and bouncy widths give it a casual, characterful voice—friendly, attention-grabbing, and a bit cheeky.
The design appears intended to deliver a bold, handmade display voice—combining a condensed stance with cut, sculpted shapes to maximize impact and character. Its controlled thickness and deliberately uneven contours suggest a focus on memorable texture and playful expressiveness in large-size typography.
The numerals follow the same chunky, cut-paper logic, staying highly graphic at display sizes. In text settings, the uneven widths and distinctive counters create strong texture and personality, favoring short bursts of copy over long reading.