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Stencil Abgy 5 is a light, normal width, monoline, upright, normal x-height font.

Keywords: headlines, posters, branding, signage, packaging, modernist, technical, architectural, sleek, futuristic, distinctive stencil, modern identity, technical tone, display clarity, high-contrast gaps, crisp, geometric, vertical stress, segmented.


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A clean, monoline sans with crisp edges and deliberate breaks that create a segmented, stencil-like construction. Many curves are interrupted by small vertical bridges, producing consistent negative notches in bowls and rounds, while straight stems remain taut and evenly weighted. The forms lean geometric with a tall, narrow feel in several capitals, rounded corners kept minimal, and a generally open, airy rhythm that reads clearly at display sizes. Numerals and lowercase echo the same cut-and-bridge motif, giving the set a cohesive, engineered texture across lines of text.

Well suited to headlines, posters, and brand marks where the segmented construction can be appreciated, especially in medium-to-large sizes. It can work effectively for signage or packaging that wants a clean, industrial-modern voice, and for UI or motion graphics where a technical, modular texture is desirable. For long passages, it’s best used sparingly or at larger sizes so the breaks remain crisp and intentional.

The overall tone is contemporary and technical, with an architectural precision that feels engineered rather than handwritten. The repeating breaks introduce a subtle sci-fi or industrial flavor, making the face feel systematic and purpose-built. Despite the mechanical concept, the shapes stay approachable and legible, reading as sleek and modern rather than aggressive.

This design appears intended to deliver a modern sans with a recognizable stencil signature—preserving familiar letter skeletons while adding disciplined, repeatable bridges for visual identity. The goal seems to balance legibility with a distinctive, engineered detail that differentiates it from standard geometric sans faces.

The stencil interruptions are especially noticeable in rounded letters (such as O/Q/C/e), where the bridges create a distinctive signature without heavily distorting the underlying skeleton. Spacing appears comfortable in the sample text, and the consistent stroke weight helps the broken details remain orderly and predictable across different glyphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸