Sans Other Keboz 4 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, signage, art deco, modernist, retro, architectural, elegant, deco revival, display impact, space saving, stylized clarity, brand distinctiveness, geometric, condensed, high contrast joints, cut-in terminals, stylized counters.
A condensed, monoline sans with a strong geometric backbone and conspicuous cut-in joins that create slit-like counters in many letters. Curves are drawn with near-circular bowls but are frequently interrupted by vertical breaks or tapered notches, giving characters like O, Q, 0, 6, and 8 a distinctive segmented look. Strokes maintain an even weight while terminals tend toward squared, sharply ended finishes; the overall rhythm is tall and vertical with compact widths and crisp internal spacing. Numerals follow the same language, with several figures featuring internal cuts and simplified, linear construction.
This font is best suited to display settings such as posters, headlines, brand marks, packaging, and signage where its cut-in geometry can be appreciated. It can work for short passages or pull quotes when set with generous tracking and leading, but the distinctive internal breaks are most effective in larger, high-contrast compositions.
The overall tone reads as Art Deco and early-modernist: sleek, architectural, and slightly theatrical. The repeated vertical cuts add a technical, ornamental edge that feels vintage yet streamlined, suggesting signage-era sophistication rather than utilitarian neutrality.
The design appears intended to reinterpret a clean sans framework with Art Deco-style cut-ins and segmented counters, balancing legibility with a strong, recognizable motif. Its condensed stance and consistent stroke weight suggest a focus on impactful, space-efficient display typography with a period-inflected character.
Distinctive identification comes from the recurring vertical incisions across rounded forms and at joins, which creates a consistent "split" motif throughout the alphabet and figures. The condensed proportions and open, simplified shapes help maintain clarity at display sizes, while the stylization becomes more prominent as sizes increase.