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Free for Commercial Use

Solid Galu 1 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Kontesa' by FoxType, 'Tusker Grotesk' by Lewis McGuffie Type, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Midnight Wowboy' by Mysterylab, 'Fatso' by T-26, and 'FTY JACKPORT' by The Fontry (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids media, stickers, playful, cartoonish, chunky, bouncy, goofy, high impact, playful display, silhouette-driven, handmade feel, rounded, blobby, stumpy, soft corners, compressed.


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A heavy, compact display face built from swollen, rounded shapes with softly squared corners and subtly irregular edges. Strokes appear monoline and weighty, with counters largely collapsed so many letters read as solid silhouettes rather than open forms. Proportions are tall and condensed, with a high x-height and short extenders; curves are broad and geometric, while joins and terminals feel slightly pinched or notched, adding a handmade wobble to the otherwise blocky construction. Spacing and letterfit look tight, producing dense, punchy word shapes at display sizes.

Best suited to headlines, posters, labels, and packaging where a bold, playful voice is needed and the type can be set large. It also works well for children’s media, game UI titles, sticker-style graphics, and short, high-impact phrases where silhouette-driven letterforms are an advantage.

The overall tone is loud, friendly, and intentionally goofy, like cut-paper or rubber-stamp lettering. Its solid interiors and chubby contours give it a toy-like, comic feel that reads more as graphic shape than refined text typography.

The design appears aimed at maximum visual impact through solid, counter-collapsed letterforms and condensed proportions, prioritizing bold shape and personality over conventional readability. The slight irregularity and soft geometry suggest an intentionally informal, hand-cut aesthetic for attention-grabbing display typography.

Because interior openings are minimized, character recognition relies on outer silhouettes; this boosts impact at large sizes but can reduce clarity in long passages or small settings. Numerals follow the same chunky, filled-in logic, keeping a consistent, poster-like rhythm across mixed copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸