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Free for Commercial Use

Sans Superellipse Idmit 7 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Rhode' by Font Bureau, 'CF Blast Gothic' by Fonts.GR, 'Etrusco Now' by Italiantype, 'Sharp Grotesk Latin' by Monotype, 'Otoiwo Grotesk' by Pepper Type, and 'Nominee' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, punchy, sturdy, retro, playful, industrial, maximum impact, space saving, display punch, logo friendly, blocky, condensed, rounded corners, compact, heavy.


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A compact, extremely heavy sans with a condensed footprint and rounded-rectangle construction throughout. Curves resolve into blunt, superelliptical bowls, while terminals are squared-off with softened corners, producing a dense, poster-like texture. Counters are small and tightly controlled, and the overall rhythm is built from chunky vertical stems and simplified joins. The lowercase keeps a straightforward, single-storey approach where applicable, with short extenders and a tight, compact stance that holds together strongly in all-caps settings.

Best suited to headlines, posters, and branding where a compact, high-impact voice is needed. It works well for packaging, labels, and signage that benefit from bold shapes and tight word lengths, especially in short phrases, logos, and punchy display lines.

The tone is bold and emphatic, with a slightly retro, sign-lettering flavor that reads as confident and attention-seeking. Its rounded block geometry adds approachability and a playful toughness, balancing utilitarian solidity with a friendly softness at the edges.

The likely intention is to provide a condensed, ultra-strong display sans that maximizes visual weight in minimal horizontal space. Its rounded-rectangle skeleton suggests a focus on robust reproduction and immediate recognition, optimized for bold statements rather than nuanced text setting.

Numerals and capitals are particularly weighty and uniform, creating strong rectangular word shapes; spacing appears tuned for impact more than delicacy. The design favors clear silhouettes over interior openness, so small sizes can feel dense, while larger sizes amplify its graphic presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸