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Free for Commercial Use

Stencil Imse 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Sebino Soft' by Nine Font and 'Core Sans ES' by S-Core (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, event promo, industrial, playful, sporty, retro, rebellious, impact, signage feel, motion, graphic texture, stencil construction, slanted, chunky, cutout, angular, dynamic.


Free for commercial use
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A heavy, slanted stencil display with chunky strokes and clear breakpoints that read as deliberate cutouts rather than worn texture. Letterforms lean forward with a lively, irregular rhythm, mixing rounded bowls with sharp, sheared terminals and occasional wedge-like joins. The stencil bridges often land in consistent mid-stroke positions (especially in bowls and diagonals), creating strong internal negative shapes and a punchy silhouette at large sizes. Counters are relatively open for a stencil style, while widths fluctuate across the set for an energetic, poster-like texture.

Best suited for headlines, posters, and short statements where the stencil cutouts can read clearly. It works well for branding marks, apparel graphics, packaging, and event promotion that benefits from a rugged, energetic voice. For body copy or small UI sizes, the internal breaks and strong slant may reduce clarity, so larger settings are recommended.

The overall tone feels industrial and energetic, like painted signage or cut vinyl with a lively, kinetic tilt. Its bold cutouts add a mischievous, slightly rebellious character that can read as sporty or retro depending on color and layout. The forward slant and chunky shapes give it motion and impact, making it more expressive than utilitarian.

Likely designed as a high-impact stencil display face that combines industrial cutout construction with a spirited, forward-leaning stance. The goal appears to be instant recognition and graphic flavor—evoking painted stencils or fabricated lettering—while keeping counters open enough for readable, punchy titling.

The stencil breaks are prominent enough to become a defining graphic motif, especially in rounded letters and numerals. Capitals and lowercase share a consistent slant and weight, and the figures carry the same cutout logic, making mixed text and number-heavy settings feel cohesive. In longer lines, the irregular widths and angled forms create a textured, attention-grabbing pattern.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸