Sans Other Jisy 10 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: display, headlines, posters, branding, packaging, tech, sci‑fi, retro, industrial, futuristic, futuristic voice, modular system, digital aesthetic, industrial clarity, geometric, modular, angular, squared, stencil‑like.
A geometric, modular sans built from straight strokes and hard right angles, with squared counters and frequent open joints. Letterforms are constructed from uniform line weight with minimal contrast, favoring rectilinear bowls and clipped corners; occasional diagonals appear in characters like K, V, W, X, and Y. The design leans on segmented, almost stencil-like continuity—many shapes are formed by separated bars or incomplete rectangles—creating a crisp, engineered texture. Spacing and proportions read broad and stable, with simplified curves replaced by squared geometry throughout uppercase, lowercase, and numerals.
Best suited to display typography where its modular geometry can be appreciated: headlines, poster titles, UI/tech-themed graphics, product marks, and packaging accents. It can also work for short blocks of text in interface mockups or signage-style applications where a clean, engineered look is desired.
The overall tone feels technical and futuristic, evoking digital interfaces, arcade-era graphics, and industrial labeling. Its angular construction and squared apertures give it a confident, mechanical voice that reads as purposeful and system-like rather than expressive or calligraphic.
The design appears intended to translate a geometric, grid-based construction into a readable sans, prioritizing a strong silhouette and a cohesive, system-driven aesthetic. By using squared counters and segmented strokes, it aims to communicate a modern, machine-like identity while staying legible at larger sizes.
Distinctive features include rectangular bowls in letters like O, D, P, and Q; an E and F formed from strong horizontal bars; and numerals that follow the same segmented, boxy logic. The lowercase mirrors the uppercase’s constructed geometry, producing a consistent, schematic appearance with a slightly experimental edge.