Sans Faceted Sylo 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Intrinseca' by AVP, 'Conamore' by Grida, 'MC Rowtella' by Maulana Creative, 'Accia Flare' and 'Accia Sans' by Mint Type, and 'Mahsuri Sans' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, athletic, assertive, retro, mechanical, impact, signage, branding, ruggedness, geometry, chamfered, octagonal, blocky, stencil-like, geometric.
A heavy, block-built sans with aggressively chamfered corners and faceted joins that turn most curves into short planar segments. Strokes are thick and predominantly monolinear, with sharp terminals and a compact, squared-off footprint across many letters. Rounds such as C, G, O, and Q read as octagonal forms, while counters are tight and angular, creating strong figure–ground contrast. The lowercase follows the same hard-edged construction, with simplified bowls and sturdy stems that keep texture dense and consistent in text.
Well-suited to short, high-impact settings such as headlines, posters, team or event branding, and logo wordmarks where the angular silhouette can carry the message. It also works for labels and packaging that benefit from a rugged, technical tone, while longer passages may need generous sizing and spacing to maintain clarity.
The faceted geometry projects a tough, engineered personality—more utilitarian than friendly, and more forceful than refined. Its crisp angles and weight evoke sports labeling, industrial signage, and retro display aesthetics with a slightly militaristic edge.
This design appears intended to translate a bold sans into a faceted, machine-cut look, prioritizing strong silhouettes and repeatable geometric logic over smooth curvature. The consistent chamfering suggests a deliberate attempt to feel constructed—like lettering built from plate, metal, or cut vinyl.
Numbers and capitals share the same clipped-corner logic, producing a cohesive, emblem-like rhythm. The overall color on the page is dark and compact, so spacing and counters tend to read best at larger sizes where the internal shapes open up.