Sans Faceted Anwe 8 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'FF Infra' by FontFont, 'MVB Embarcadero' by MVB, 'Applied Sans' by Monotype, and 'Reyhan' by Plantype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, event signage, industrial, athletic, mechanical, retro, assertive, impact, branding, geometric voice, logo ready, display clarity, octagonal, blocky, stencil-like, angular, compact.
A heavy, angular display sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Counters tend toward octagonal shapes (notably in O/0 and rounded lowercase forms), and joins are sharp with consistent, squared terminals. Proportions feel sturdy and slightly extended, with a large x-height and compact apertures that keep the texture dense and dark in text. Figures and capitals share the same faceted construction, giving the set a uniform, engineered rhythm.
Best suited to bold headlines, posters, and branding where the faceted shapes can read large and unmistakably. It also fits sports identities, industrial or tech-leaning packaging, and short signage phrases where strong silhouettes and high visual impact are the priority.
The faceted geometry gives a tough, utilitarian tone that reads as industrial and sports-adjacent, with a subtle retro/arcade edge. Its blunt weight and angularity project confidence and impact, prioritizing presence over delicacy.
The design appears intended to deliver a robust, geometric voice by translating rounded forms into consistent chamfered planes. It aims for a distinctive, logo-friendly texture that remains cohesive across caps, lowercase, and numerals, emphasizing punchy readability and a mechanical aesthetic.
The repeated chamfer motif is applied consistently across straight and diagonal strokes, creating a recognizable silhouette even at a glance. The narrow openings in letters like a/e/s and the polygonal bowls can become visually busy at smaller sizes, while larger settings highlight the distinctive cut-corner character.