Sans Superellipse Ogdut 1 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Nicomedia' by Artegra, 'Gomme Sans' by Dharma Type, 'FX Ambasans' by Differentialtype, 'Olney' by Philatype, 'RBNo3.1' by René Bieder, and 'Celdum' by The Northern Block (names referenced only for comparison).
Keywords: branding, headlines, packaging, ui, signage, tech, industrial, modern, confident, clean, modernize, soften geometry, maximize impact, systematic look, rounded corners, squared rounds, geometric, monoline, compact joints.
A sturdy sans with a squared, superelliptical construction: curves resolve into rounded-rectangle bowls, and terminals are consistently softened rather than sharply cut. Strokes are uniform and heavy, with broad counters and simplified joins that keep shapes open at display sizes. Proportions feel expanded with generous width in capitals and numerals, while the lowercase stays practical and steady, maintaining clear vertical stress and a disciplined rhythm. Numerals echo the same rounded-rectangle logic, producing a cohesive, engineered texture across letters and figures.
Best suited to brand marks, headlines, packaging, and large-format communication where its wide, rounded-rect geometry reads as deliberate and contemporary. It can also support UI labels and signage that benefit from a robust, highly legible presence and consistent, softened forms.
The overall tone is modern and utilitarian, with a distinctly tech-forward, industrial polish. Its softened corners add approachability without losing the assertive, structured feel typical of contemporary product and interface typography.
The design appears intended to deliver a modern, engineered sans aesthetic built from rounded-rectangle primitives, balancing strong presence with friendly corners for contemporary branding and digital contexts.
Rounded corners are applied consistently, creating a “machined” smoothness in corners and apertures. The alphabet shows a preference for simple, high-impact silhouettes and restrained detailing, yielding strong uniformity in word shapes and a solid, blocky color on the line.