Slab Contrasted Seko 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Rooney' by Jan Fromm, 'Grimmig' by Schriftlabor, and 'Landa' by Sudtipos (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, logotypes, western, circus, vintage, playful, poster, poster impact, vintage revival, signage tone, friendly boldness, bracketed, bulbous, chunky, bouncy, ink-trap like.
A heavy, blocky slab-serif with strongly bracketed terminals and a lively, slightly irregular rhythm. Strokes are thick with noticeable (but not delicate) modulation, and many joins soften into rounded corners that give the letters a carved, inflated look. Serifs read as broad slabs that flare subtly from the stems, and counters are compact, producing a dense, high-impact texture in text. Overall spacing and letterforms feel intentionally uneven in small ways—adding bounce without losing legibility at display sizes.
Best suited for display work such as posters, headlines, event graphics, and storefront-style signage where its mass and slab serifs can read from a distance. It also fits branding applications like packaging, labels, and logotypes that benefit from a vintage, woodtype-inspired voice. For longer passages, it will be most comfortable at larger sizes where the dense counters and heavy texture have room to breathe.
The font conveys a nostalgic, show-poster energy—part Western woodtype, part circus broadside. Its chunky slabs and buoyant shapes feel friendly and attention-grabbing rather than formal, suggesting handmade printing and vintage signage. The tone is bold, confident, and a little mischievous.
The design appears intended to reinterpret bold slab-serif poster lettering with a more organic, slightly eccentric silhouette. Its bracketed slabs and softened joins aim to deliver strong impact while retaining warmth and personality, evoking traditional printing and classic signage aesthetics.
Uppercase forms maintain a sturdy, sign-like silhouette, while lowercase introduces more softness and roundness, reinforcing the informal character. Numerals are equally weighty and prominent, suited to headlines and callouts where the figures must hold their own against large text.