Sans Normal Uhlop 2 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Evander' by Punchform and 'Robusta' by Tilde (names referenced only for comparison).
Keywords: ui text, branding, signage, editorial, presentations, modern, neutral, clean, friendly, clarity, versatility, modernity, accessibility, geometric, monoline, open apertures, large counters, high legibility.
A monoline sans with smooth, rounded geometry and a clean, even rhythm. Curves are close to circular and transitions are softly drawn, while terminals remain straightforward and uncluttered. Counters are generous and apertures stay open, supporting clear differentiation in text. Uppercase forms feel stable and balanced (with a pointed, simple A and wide round letters like O and Q), and the lowercase maintains a compact, efficient structure with simple, readable shapes. Numerals are similarly plain and sturdy, with consistent stroke behavior and minimal ornamentation.
Well suited to interface typography, dashboards, and product experiences where a steady, legible sans is needed. It also works for straightforward branding systems, wayfinding and signage, and editorial or presentation settings that benefit from a clean, contemporary sans without strong stylistic bias.
The overall tone is modern and neutral with a mild friendliness from the rounded construction. It feels practical and straightforward rather than expressive, aiming for clarity and approachability. The even color and restrained detailing give it a quietly contemporary, professional voice.
The design appears intended as a general-purpose sans focused on clarity, consistency, and wide usability. By prioritizing open forms, simple construction, and even stroke weight, it aims to perform reliably across headlines and text while maintaining a modern, approachable character.
In the sample text, spacing and letterfit read as even and utilitarian, with clear word shapes at larger sizes. The design keeps distinctive features subtle, relying on consistent geometry and open internal spaces rather than stylized quirks.