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Sans Other Rebeg 1 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Kufica' by Artegra, 'Bs Kombat' by Feliciano, 'Angulosa M.8' by Ingo, 'Stallman Round' by Par Défaut, 'Fresno' by Parkinson, and 'TD Pobeda' by Tektov Dmitry Type (names referenced only for comparison).

Keywords: posters, headlines, logos, game ui, packaging, industrial, retro, techno, poster-like, game-like, impact, compactness, tech aesthetic, signage feel, retro display, condensed, geometric, angular, blocky, square counters.


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This typeface is built from compact, rectilinear forms with a strong vertical emphasis and crisp, squared terminals. Strokes read as uniform and heavy, with corners that stay sharp rather than rounded, creating a rigid, engineered texture. Counters and apertures tend to be boxy and minimal, and several letters use cut-ins and notches that give the shapes a stencil-like, constructed feel. The rhythm is tight and tall, producing a high-impact, compressed silhouette that holds together as dense black columns in text.

Best suited to display sizes where its tight proportions and blocky geometry can deliver impact—such as posters, cover titles, branding marks, and short, punchy headlines. It can also work well for game interfaces, tech-themed graphics, and packaging callouts where a compact, high-contrast word shape is desirable.

The overall tone feels industrial and assertive, with a retro-tech character reminiscent of arcade, sci-fi, and utilitarian signage. Its hard angles and narrow stance communicate efficiency and intensity rather than warmth, making it feel mechanical and deliberate.

The design appears intended to provide a condensed, high-impact sans with a constructed, modular aesthetic. Its squared counters, sharp terminals, and minimal apertures suggest a focus on bold presence and a distinctly technical, industrial voice for display typography.

In the glyph set, distinguishing features include squared interior counters (notably in B, O, P, R) and segmented-looking joins in some diagonals, which reinforce the fabricated, modular impression. The numerals follow the same angular logic and remain highly compact, supporting consistent color in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸