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Sans Other Pode 3 is a very bold, very narrow, monoline, italic, normal x-height font visually similar to 'Bradford' by ActiveSphere, 'Kufica' by Artegra, 'Bilokos' and 'Bilokos Pro' by AukimVisuel, and 'Brookside JNL' by Jeff Levine (names referenced only for comparison).

Keywords: sports branding, esports, posters, headlines, logos, dynamic, aggressive, sporty, futuristic, tech, speed, impact, modernity, tech feel, branding, slanted, angular, condensed, rectilinear, high-contrast apertures.


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A sharply slanted, condensed sans with heavy, uniform stroke weight and tightly controlled sidebearings. Forms are built from angular, rectilinear segments with chamfered corners and frequent cut-in counters, giving many letters a segmented, stencil-like interior. Curves are minimized in favor of faceted bowls and squared terminals, producing a crisp, engineered rhythm. Uppercase and lowercase follow the same oblique construction, with compact widths, tall vertical emphasis, and narrow apertures that keep texture dense and continuous in text.

Best suited for display typography where momentum and punch are desirable—sports and motorsport-style branding, esports/event graphics, posters, and attention-grabbing headlines. It also works well for short technical or sci‑fi themed UI labels, packaging callouts, and logo wordmarks where its angular construction can be read clearly at larger sizes.

The overall tone is fast, forceful, and performance-driven, with a high-energy slant that reads as motion and urgency. Its sharp geometry and cut-in detailing push it toward a techno/industrial feel, lending a bold, assertive voice suited to impact-first messaging.

The letterforms appear designed to convey speed and impact through a pronounced slant, condensed proportions, and hard-edged geometry. The cut-in counters and squared terminals suggest an intent to feel modern and engineered, prioritizing a distinctive silhouette and strong texture over neutral readability.

The design relies on consistent diagonal shear and repeated internal notches, which can add character at display sizes while increasing visual noise in long passages. Numerals match the same angular logic and compact proportions, reinforcing a cohesive, racing-inspired silhouette across headings and short strings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸