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Free for Commercial Use

Sans Contrasted Hyju 11 is a very bold, very wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, art deco, theatrical, vintage, bold, dramatic, display impact, retro glamour, branding, poster voice, decorative contrast, stencil-like, inline cuts, geometric, blocky, tight apertures.


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A heavy display sans with dramatic stroke contrast created by deep vertical cut-ins and inline notches rather than traditional serif structure. Bowls and counters are compact and often interrupted by narrow vertical slits (notably in O, Q, 0, 8, 9), giving a semi-stencil, segmented look. Many letters lean on simplified geometric construction—triangular A, sharp V/W joins, and blunt terminals—while curves are broad and weighty. Spacing feels substantial and the silhouettes read as large, dark shapes with distinctive internal carving that preserves legibility at headline sizes.

Best suited for large-scale applications where the carved details can be appreciated: poster headlines, editorial display, brand marks, packaging fronts, event promotions, and signage. It can also work for short subheads or pull quotes, but its dense, cut-in interiors favor concise copy over extended reading.

The overall tone is showy and period-evocative, suggesting marquee lettering, poster titling, and glamorous interwar-era display aesthetics. The aggressive ink presence and carved-in highlights add a sense of drama and spectacle, balancing a modern geometric backbone with a retro, ornamental punch.

The font appears designed to deliver maximum visual impact through bold massing paired with a consistent inline-cut motif, evoking classic display lettering while keeping a clean sans structure. Its construction prioritizes recognizability and style at large sizes, aiming for a distinctive, brandable voice rather than neutral text utility.

The design’s strongest identifying feature is its consistent use of vertical incisions/inline gaps across round and vertical-stem letters, producing a rhythmic “cut” motif. Some forms are intentionally condensed or simplified (e.g., compact counters, angular diagonals), which amplifies impact but can make long text feel dense. Numerals mirror the same cut-and-slab language, maintaining cohesion in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸