Sans Superellipse Ogmob 10 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, 'Panton Rust' by Fontfabric, 'Corelia' by Hurufatfont, and 'Crique Grotesk' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, contemporary, approachable, sporty, impact, approachability, brand clarity, modern utility, legibility, rounded, soft corners, blocky, compact, geometric.
A heavy, rounded sans with a superelliptical construction: straight strokes meet generously rounded corners, and curves tend toward squared-off bowls rather than pure circles. The forms are compact and sturdy, with wide counters and short terminals that keep silhouettes clean at small sizes. Joins are smooth and uniform, giving the alphabet a consistent, engineered rhythm; diagonals (A, V, W, X, Y) are robust and slightly softened to match the overall corner treatment. Numerals and punctuation share the same blunt, rounded-rectangle logic, producing an even, cohesive texture in paragraphs and headlines.
Well-suited to high-impact settings such as headlines, posters, and display copy where a dense, friendly presence is needed. The strong, softened geometry also fits branding systems, packaging, and wayfinding or signage that benefits from clear shapes and consistent stroke weight.
The overall tone is bold and upbeat, projecting clarity and friendliness without feeling informal or quirky. Its softened corners and chunky geometry read as modern and approachable, with a touch of athletic and tech branding energy. The result feels confident and utilitarian, designed to be noticed while staying easy to read.
The design appears intended to merge a robust, attention-grabbing weight with softened geometry for approachability. Its superelliptical rounds and squared curves suggest a focus on modern brand versatility—delivering a strong voice while maintaining clean legibility and a cohesive, system-friendly look.
Round letters like C, G, O, and Q show squared curve endings and a controlled aperture, while S stays smooth and stable rather than calligraphic. The lowercase maintains a simple, single-storey feel where applicable (notably the compact, rounded a), helping the texture stay uniform in running text.