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Free for Commercial Use

Serif Humanist Yeto 6 is a regular weight, normal width, very high contrast, upright, short x-height font.

Keywords: book covers, headlines, posters, packaging, editorial display, antique, textured, dramatic, hand-inked, gothic-leaning, historical evocation, letterpress feel, atmospheric display, handmade texture, dramatic emphasis, rough edges, ink traps, irregular, flared serifs, chiseled.


Free for commercial use
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A high-contrast serif with sharply tapered strokes and visibly irregular, ink-worn contours. The letterforms combine narrow hairlines with heavier verticals, and the serifs often flare into pointed, wedge-like terminals that feel cut or bitten rather than smoothly bracketed. Curves show slight wobble and pitted edges, creating a distressed, letterpress-like texture that is consistent across capitals, lowercase, and figures. Lowercase proportions read compact with a short x-height, while ascenders and capitals carry strong vertical emphasis; counters can appear pinched where the texture encroaches, adding tension to the rhythm.

Best suited to display settings where its textured contours and strong contrast can be appreciated—book covers, posters, editorial headlines, and themed packaging. It can also work for short passages or pull quotes when a period-evocative, printed-on-paper feel is desired, but the rough detailing may become visually busy at small sizes.

The overall tone is antique and dramatic, with an assertive, slightly ominous character. Its roughened edges and calligraphic stress suggest aged print, handmade signage, or historical ephemera, giving text a tactile, story-forward presence rather than a pristine, modern neutrality.

The design appears intended to evoke historical serif typography through a deliberately imperfect, inked finish, blending old-style structure with a distressed surface. It aims to add atmosphere and tactility—suggesting age, craft, and drama—while remaining legible and traditionally proportioned.

In continuous text, the distressed detailing becomes a prominent part of the color, producing a lively, uneven texture that can feel intentionally weathered. The numerals and capitals carry the strongest personality, with sharp terminals and irregular cuts that read especially well at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸