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Free for Commercial Use

Sans Superellipse Embib 5 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Refinery' by Kimmy Design, 'Navine' by OneSevenPointFive, and 'Nulato' by Stefan Stoychev (names referenced only for comparison).

Keywords: ui labels, product branding, sports graphics, headlines, wayfinding, tech, sporty, dynamic, sleek, modern, modernization, speed cue, geometric coherence, brand utility, rounded, squared, condensed caps, oblique, geometric.


Free for commercial use
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This typeface is an oblique sans with a geometric, rounded-rectangle construction. Curves resolve into softened corners rather than true circles, giving bowls and counters a superelliptical, squared-off feel (especially in letters like O, D, and 0). Strokes are monolinear with clean terminals and minimal modulation, producing an even texture. The capitals read slightly compact and engineered, while the lowercase maintains open apertures and simple, utilitarian forms; the overall rhythm is tight and forward-leaning with consistent rounding throughout.

It works well where a streamlined, contemporary impression is desired—UI labels and dashboards, product and tech branding, and sports or mobility-themed graphics. The strong oblique stance and compact, squared rounds can also serve effectively in short headlines, logos, and directional or informational signage where quick recognition is important.

The forward slant and rounded-square geometry create a sense of speed and purpose, with a contemporary, tech-leaning tone. It feels efficient and engineered rather than expressive, suggesting motion and modernity without looking aggressive.

The design appears intended to merge a modern oblique voice with a rounded-square geometric skeleton, prioritizing a cohesive, engineered feel across letters and numerals. Its consistent corner rounding and monoline strokes suggest a focus on clean reproduction and a distinctive, motion-oriented personality.

Figures echo the same rounded-rect logic as the letters, helping maintain a unified voice in mixed alphanumeric settings. The slant is substantial enough to be a defining characteristic, and the softened corners keep the shapes friendly while still looking precise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸