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Serif Humanist Toba 13 is a light, narrow, high contrast, italic, normal x-height font.

Keywords: book italics, editorial, literary titles, pull quotes, invitations, literary, classical, refined, poetic, old-world, text emphasis, classic voice, calligraphic feel, elegant editorial, traditional polish, calligraphic, bracketed, tapered, lively, graceful.


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This serif italic shows a distinctly calligraphic construction with tapered strokes, sharp entry/exit terminals, and crisp bracketed serifs. Strokes swell and thin with a pen-like rhythm, and curves feel slightly asymmetrical in a way that keeps lines of text lively rather than mechanical. Capitals are elegant and moderately restrained, while lowercase forms lean with a fluid slant and open counters; extenders are long and gently curved, contributing to a graceful vertical movement. Spacing appears relatively tight, with narrow letterforms creating an economical, column-friendly texture.

This font is well suited for editorial typography where an expressive italic is desired—book and magazine settings, introductions, captions, and pull quotes. It can also work for literary titling, packaging that leans classic, and formal stationery where a refined, traditional voice is appropriate. It’s best used at sizes that allow the thin strokes and sharp terminals to remain legible.

The overall tone is cultured and expressive—more bookish and elegant than neutral. Its italic energy reads as thoughtful and slightly dramatic, evoking traditional printing and handwritten influence without becoming ornamental. The texture suggests refinement and warmth, suitable for text that wants a human voice.

The design appears intended to deliver a traditional, humanist reading experience with a clear italic emphasis, capturing pen-driven stroke modulation and an old-style serif vocabulary. It aims to provide a graceful, text-capable italic with enough character for display accents while maintaining a consistent, book-like rhythm across letters and figures.

Round letters show delicate stress and subtly varied curves, while diagonals and joins often finish in fine, pointed terminals that enhance the sense of motion. The numerals follow the same italic, calligraphic logic, keeping a cohesive color when mixed into text. At small sizes, the fine hairlines and tight spacing may benefit from slightly generous leading to preserve clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸