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Free for Commercial Use

Sans Superellipse Sugu 4 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Bradford' by ActiveSphere, 'Moho Condensed' by John Moore Type Foundry, 'Oakters' by Maulana Creative, 'Stallman Round' by Par Défaut, and 'Motte' by TypeClassHeroes (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, industrial, retro, authoritative, condensed, posterish, space saving, high impact, signage voice, geometric consistency, systematic design, stencil-like, vertical, geometric, monolinear, angular rounds.


Free for commercial use
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A tightly condensed sans with heavy vertical stems and rounded-rectangle (superellipse) curves. The design is strongly vertical in rhythm, with squared terminals softened by small radii, and counters that read as narrow slots, especially in rounded letters. Stroke weight appears largely uniform with subtle internal shaping, producing clean, high-impact silhouettes. The lowercase follows the same compact, mechanical structure, and the numerals are similarly tall and columnar, keeping a consistent width and presence across the set.

This typeface is well suited to bold headlines, posters, and attention-grabbing titles where a compact footprint is helpful. It can work effectively for signage, labels, and packaging systems that need strong vertical emphasis and consistent, industrial-looking letterforms. Use it sparingly for longer text, where the narrow counters and dense rhythm may reduce comfort at smaller sizes.

The overall tone feels industrial and retro, with a confident, no-nonsense voice. Its narrow geometry and slot-like counters evoke signage, machinery markings, and display lettering from early-to-mid 20th century aesthetics. The result is commanding and functional rather than friendly or conversational.

The design appears intended to deliver maximum impact in a minimal width, using rounded-rect geometry to keep forms sturdy, repeatable, and visually consistent. Its simplified construction suggests a focus on strong silhouette, quick recognition, and a utilitarian display voice.

Spacing and proportions prioritize height and compression, creating dense texture in words and strong alignment in all-caps settings. Distinctive, simplified forms (notably in rounded letters and diagonals) emphasize uniformity and impact over fine detail, making the font read best when given room to breathe at display sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸