Sans Normal Epgir 1 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, branding, posters, ui titles, clean, modern, futuristic, airy, minimal, modern branding, geometric clarity, minimal display, tech aesthetic, geometric, rounded, open apertures, large counters, crisp terminals.
A delicate, monoline sans with generously open counters and a distinctly geometric construction. Curves are smooth and near-circular, while straight strokes stay crisp and even, giving the design a precise, engineered rhythm. Proportions are expansive with wide-set forms and ample internal space; lowercase bowls (a, b, d, p, q) read as rounded capsules, and the overall spacing feels comfortable and breathable. Terminals are clean and unembellished, with a consistent, streamlined outline that stays calm across both uppercase and lowercase.
Best suited to display contexts where its thin strokes and wide proportions can breathe—headlines, wordmarks, product branding, and poster typography. It can also work for interface titles and short labels where a clean, modern look is desired, while longer text would benefit from larger sizes and generous line spacing to preserve its light, open feel.
The tone is sleek and contemporary, with a light, airy presence that feels technical and refined rather than expressive or handwritten. Its rounded geometry adds approachability, while the thin, even strokes keep it cool and understated—suggesting a modern, slightly futuristic sensibility.
The design appears intended to deliver a minimal, geometric sans voice with a refined, high-tech clarity. It prioritizes smooth round forms, consistent stroke weight, and spacious proportions to create an elegant display face that reads as modern and carefully engineered.
Round letters like O/Q and numerals like 0/8/9 emphasize smooth elliptical shapes and large counters, while diagonals in V/W/X/Y bring a sharp, architectural contrast. The sample text shows an even color at display sizes, with a quiet, elegant texture that relies on spacing and geometry more than stroke contrast.