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Stencil Gygo 4 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Geogrotesque Stencil' by Emtype Foundry, and 'Giant' by Hoefler & Co. (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, military, utilitarian, rugged, authoritative, stencil marking, industrial branding, rugged display, equipment labeling, tactical tone, angular, faceted, technical, high-contrast apertures, hard-edged.


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A heavy, hard-edged display face built from straight strokes and sharp corner cuts, creating an overall faceted silhouette. Clear stencil bridges interrupt many counters and joins, producing deliberate gaps that keep forms readable while reinforcing a cut-out, fabricated feel. Proportions are compact with squared-off curves and a steady stroke weight, while the geometry favors verticals and diagonals over rounds. Spacing appears sturdy and even, and the uppercase carries the strongest presence, with numerals matching the same angular, segmented construction.

Works best for impactful display use such as posters, headlines, product packaging, labels, and wayfinding where a rugged stencil voice is desired. It is well-suited to industrial branding, tactical or utility-themed graphics, and situations where quick recognition and a fabricated aesthetic are priorities.

The design conveys an industrial, equipment-marking tone—confident, no-nonsense, and slightly militaristic. The stencil breaks add a sense of manufacturing, shipping, and field-use practicality, giving text a rugged, workmanlike character that feels engineered rather than decorative.

The font appears intended to emulate stencil-cut lettering used for marking crates, equipment, and industrial surfaces, translating that language into a clean, modern, geometric system. Its consistent stroke weight and angular construction suggest a focus on strong silhouettes, repeatable shapes, and a purposeful, engineered texture.

At larger sizes the stencil joins read crisply and become a distinctive texture across words; in denser lines of text the repeated gaps create a rhythmic pattern that can dominate the page. The angular treatment of traditionally curved letters gives the font a consistent, machined personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸