Sans Other Ibla 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Archimoto V01' and 'Nue Archimoto' by Owl king project (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, industrial, techno, military, stencil, architectural, stenciled look, tech aesthetic, high impact, modular geometry, signage feel, angular, octagonal, notched, condensed feel, mechanical.
A sharply constructed, geometric sans with heavy, monoline strokes and frequent chamfered corners that give many glyphs an octagonal silhouette. Counters and joins are often interrupted by small, deliberate gaps and notches, producing a stencil-like build and a segmented rhythm in both uppercase and lowercase. Curves are minimized or faceted, terminals tend to be squared off, and overall spacing reads compact, with blocky forms that stay very consistent across the set. Numerals match the same cut-corner, broken-counter logic, maintaining a cohesive, engineered look in running text.
Best suited for display applications where its angular stencil construction can be appreciated: headlines, posters, branding marks, product packaging, and entertainment or game UI. It can also work for labels and graphic treatments that benefit from an industrial or technical voice, especially when set with ample size and spacing to preserve the internal breaks.
The font projects a utilitarian, machined tone—evoking industrial labeling, sci‑fi interface type, and tactical or infrastructural signage. Its repeated breaks and hard angles create a sense of robustness and precision, with a slightly aggressive, high-impact presence.
The design appears intended to deliver a rugged, engineered sans with stencil-like interruptions and chamfered geometry, prioritizing strong silhouette recognition and a technical aesthetic. Its consistent modular cuts suggest a system built for impactful display typography rather than continuous-text neutrality.
The stencil gaps are substantial enough to remain visible at display sizes, and they become a defining texture line-to-line in paragraphs. The faceting and notched joins create distinctive silhouettes that favor short, emphatic words over long-form reading.