Sans Superellipse Ogmaw 12 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: logotypes, headlines, posters, ui labels, packaging, techy, futuristic, industrial, clean, confident, geometric system, tech branding, display impact, ui clarity, squared, rounded corners, geometric, compact, blunt terminals.
This sans shows a geometric, rounded-rectangle construction with consistently softened corners and mostly straight-sided curves, producing superelliptical bowls and counters. Strokes are uniform and heavy, with blunt, squared terminals and minimal contrast throughout. Proportions feel compact and engineered: capitals are wide and sturdy, while the lowercase has a tall x-height and tight, efficient shapes (notably in a, e, s, and t). Openings and apertures are controlled rather than airy, and the overall rhythm is even and modular, with many forms echoing the same rounded-rect geometry.
Best suited for display use where its heavy, rounded-rect geometry can be a defining visual element—logotypes, brand wordmarks, headlines, posters, and packaging. It also fits short UI labels or interface headings where a sturdy, techno-industrial voice is desired, while longer text may feel dense due to the compact counters and strong weight.
The overall tone is modern and utilitarian with a distinctly tech-forward, interface-like flavor. Rounded corners soften the otherwise squared construction, keeping it approachable while still feeling precise and machine-made. It reads as confident and contemporary, evoking digital displays, product branding, and industrial design aesthetics.
The design appears intended to deliver a systematic, contemporary sans built from superelliptical forms, balancing squared structure with rounded corners for friendliness. It prioritizes consistency and impact, aiming for a recognizable, tech-oriented texture across letters and numerals.
Round shapes such as O, Q, and 0 appear close in construction, reinforcing a systematic design. The numerals follow the same squared, softened logic, supporting consistent texture in mixed alphanumeric settings. In text, the dense stroke and compact counters create strong presence, especially at larger sizes.