Sans Superellipse Oglem 12 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Pierce Jameson' by Grezline Studio, 'Nulato' by Stefan Stoychev, 'Gemsbuck Pro' by Studio Fat Cat, and 'Radley' by Variatype (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, signage, tech, industrial, sporty, retro-futurist, utilitarian, impact, clarity, modernity, compactness, branding, squared, rounded, compact, sturdy, blocky.
This typeface is built from rounded-rectangle forms with consistently softened corners and mostly uniform stroke weight. Curves are squarish rather than circular, giving counters and bowls a superelliptical, “cut” feel, while straight stems and flat terminals keep the texture firm and even. The x-height reads large relative to the caps, and many letters show slightly condensed internal spacing, with closed apertures and tight, rectangular counters (notably in B, D, O, P, R, and 8). Diacritics and punctuation in the sample are simple and geometric, matching the squared rhythm of the alphabet.
Best suited to short, high-impact settings such as headlines, poster type, product packaging, wayfinding or labeling, and brand marks where a strong geometric voice is desirable. The heavy, squared forms also make it a natural fit for interface titles, gaming or sports graphics, and tech-oriented editorial display.
The overall tone feels engineered and pragmatic—modern, technical, and somewhat sporty. Its chunky geometry and rounded corners suggest durability and approachability at the same time, evoking industrial labeling, UI hardware aesthetics, and retro-futurist display typography.
The design appears intended to deliver a robust geometric sans with rounded-square construction—combining a compact, space-efficient footprint with a friendly softness at corners. It aims for strong presence and consistent rhythm, emphasizing graphic clarity and an engineered, contemporary character.
The uppercase set appears especially compact and sign-like, while the lowercase maintains the same squared curvature for a cohesive voice across cases. Numerals are sturdy and highly geometric, with forms that prioritize clear silhouettes over delicate detailing.