Hollow Other Keta 5 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: sports branding, team apparel, posters, headlines, logos, collegiate, athletic, retro, bold, graphic, display impact, varsity styling, brand recognition, outlined emphasis, outlined, inline, slab serif, square, blocky.
A blocky slab-serif display face built from squared, right-angled forms with uniform stroke weight and crisp, rectilinear terminals. Each glyph is constructed as a heavy outline with an inner inline counter-shape that creates a hollow, double-stroked effect; corners are mostly sharp with occasional stepped notches that emphasize a stencil-like, cutout construction. Proportions are compact and sturdy, with broad shoulders, flat tops, and generously sized rectangular counters that keep the interiors open. Numerals and capitals share a consistent modular rhythm, while the lowercase follows the same architectural logic with simplified bowls and angular joins.
Well-suited for sports and school branding, jersey-style graphics, event posters, and bold headlines where the outlined look can carry the design. It also works for logo marks and short titling on packaging or signage, particularly at medium to large sizes where the inner cutouts stay legible.
The overall tone feels collegiate and athletic, reminiscent of varsity letterforms and vintage sports branding. The outlined construction adds a punchy, poster-ready presence while staying clean and approachable, giving it a retro, scoreboard-and-team-jersey energy.
The design appears intended as a high-impact display font that evokes varsity and retro athletic lettering through slab-like structure and an outlined, hollow construction. The consistent modular geometry suggests it was drawn to be visually loud, easy to spot at a distance, and immediately recognizable in branding contexts.
The inner outline/cutout creates strong figure–ground contrast and a distinctive double-line texture, especially in dense settings. The squared geometry and slab details make the face read best when given breathing room, where the interior knockouts remain clearly separated from the outer contour.