Sans Superellipse Fenuv 3 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Fairweather' by Dharma Type, 'Allotrope' by Kostic, 'Robusta' by Tilde, and 'Tolyer' by Typesketchbook (names referenced only for comparison).
Keywords: sports branding, headlines, posters, packaging, promotions, sporty, urgent, dynamic, impactful, modern, space saving, speed cue, high impact, modern utility, condensed, slanted, blocky, tight, angular rounding.
This typeface is a compact, slanted sans with heavy, uniform strokes and a tightly packed, vertical rhythm. Forms are built from simplified, squared-off shapes softened by rounded corners, producing superellipse-like counters in letters such as O and C. Terminals are clean and mostly straight, with occasional angled cuts that reinforce the forward lean. Proportions are tall and compressed, with short ascenders/descenders and a sturdy, display-oriented color that stays consistent across letters and figures.
Best suited to attention-grabbing applications such as sports and fitness branding, event graphics, posters, and bold editorial headlines. It also works well for packaging callouts and promotional messaging where compact width and strong emphasis are valuable. For extended reading, it is more effective in short bursts—titles, subheads, and labels—than in long paragraphs.
The overall tone is fast, assertive, and high-energy, with a strong “push forward” sensation from the pronounced slant and condensed stance. Its blocky construction reads as practical and contemporary rather than delicate or ornamental, giving it a confident, action-driven voice.
The design appears intended to maximize impact in limited horizontal space while signaling motion through a consistent forward slant. Its rounded-rectangle geometry and uniform weight prioritize clarity and punch over nuance, aligning it with energetic display typography.
The sample text shows that the dense spacing and narrow letterforms create a powerful line texture at large sizes, while smaller sizes may feel crowded in longer passages. Numerals match the letters in stance and weight, maintaining the same compact, italicized momentum.