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Free for Commercial Use

Sans Normal Kenof 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Altersan' and 'Flinders' by Eko Bimantara and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, advertising, sporty, dynamic, friendly, modern, punchy, emphasis, motion, impact, modernity, approachability, oblique, geometric, rounded, compact, smooth.


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This typeface is a heavy, oblique sans with smooth, rounded curve construction and largely monolinear stroke behavior. Forms feel compact and sturdy, with wide bowls and counters that stay open at display sizes, and terminals that are cleanly cut rather than tapered. The slant is consistent across capitals, lowercase, and figures, creating forward momentum without becoming overly calligraphic. Overall spacing reads moderately tight and cohesive, supporting dense headline settings while retaining clear letter separation.

It performs best as a display sans for headlines, poster copy, and brand marks where slanted, high-impact typography is desirable. The strong presence also suits packaging and promotional materials that need quick readability and a sporty, modern voice. For long-form text, its weight and oblique stance are more naturally used for emphasis or short blocks rather than continuous reading.

The combination of weight and steady slant gives the font an energetic, action-oriented tone. Its rounded geometry softens the impact, keeping it approachable and contemporary rather than aggressive. The result feels confident and upbeat, suited to branding that wants motion and emphasis.

The design appears intended to deliver a bold, forward-leaning sans that communicates motion and confidence while staying friendly through rounded, geometric shaping. It prioritizes immediate impact and clarity in large sizes, making it well-suited to contemporary commercial and editorial display use.

Round letters like O/C/G show smooth elliptical stress with a uniform feel, while diagonals (A, V, W, X, Y) stay crisp and stable. Lowercase shows a pragmatic, sans rhythm with a straightforward single-storey feel where applicable, and numerals appear robust and highly legible in large settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸