Sans Other Syry 6 is a light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, interface, gaming, futuristic, tech, sci-fi, digital, geometric, sci-fi branding, digital display, modular system, industrial labeling, square, angular, modular, open counters, extended.
A geometric, squared sans with monoline strokes and a strongly modular construction. Forms are built from straight segments and crisp right angles, with occasional 45° joins in letters like M, N, V, W, and Y. Corners are generally sharp and the curves that do appear are restrained, producing boxy bowls and rectangular counters in many glyphs. Several characters use deliberate gaps, cut-ins, or open terminals (notably in E/F/S and some lowercase forms), giving the alphabet a segmented, display-oriented rhythm. Proportions are extended horizontally with generous internal spacing, and the lowercase maintains a clean, simplified structure with narrow stems and minimal detailing.
Best suited to headlines, titles, branding marks, and short statements where its angular construction and extended proportions can be appreciated. It also fits UI mockups, tech and gaming graphics, and motion/overlay typography where a futuristic, schematic feel is desired. For dense editorial text, larger sizes and ample tracking will help maintain clarity.
The overall tone is futuristic and instrument-like, evoking interface typography, industrial labeling, and science-fiction graphics. Its segmented strokes and squared geometry read as digital and engineered rather than humanist, with a cool, technical personality that prioritizes systematized shapes over softness.
The design appears intended to deliver a distinctly geometric, futuristic sans for display use, built from a repeatable set of straight, modular strokes. By introducing controlled breaks and squared counters, it aims to create a digital/industrial voice while keeping stroke weight consistent and forms clean.
Distinctive character construction and non-standard joins make the face highly recognizable, but also more idiosyncratic in running text. The simplified, linear treatment of many letters can reduce differentiation at small sizes, while larger settings emphasize the font’s sharp geometry and deliberate stencil-like interruptions.