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Free for Commercial Use

Serif Normal Fidif 6 is a bold, wide, high contrast, italic, normal x-height font visually similar to 'Century Schoolbook' and 'Century Schoolbook WGL' by Bitstream, 'Century Schoolbook DT' by DTP Types, 'Linotype Maral Armenian' by Linotype, and 'Century PS Pro' by SoftMaker (names referenced only for comparison).

Keywords: headlines, subheads, pull quotes, editorial, posters, classic, confident, formal, energetic, strong emphasis, editorial tone, classic italic voice, display impact, bracketed, calligraphic, crisp, lively, oldstyle.


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A robust italic serif with pronounced contrast and a strong rightward slant. The letterforms show crisp, bracketed serifs and wedge-like terminals that create a sharp, inked rhythm, while rounded joins and slightly swelling strokes keep the texture lively rather than rigid. Capitals are broad and commanding, with clear modulation through curves (C, G, O) and emphatic diagonals (K, V, W, X). Lowercase forms lean toward an oldstyle italic feel, with compact bowls, pronounced entry strokes, and a single-storey a and g; figures follow the same italic axis with sturdy weight and clear, open counters.

Well suited to editorial headlines, subheads, pull quotes, and other display-forward typography where an italic voice is meant to carry authority. It can also serve for short-form setting—introductions, captions, or emphasized passages—when a darker, more dramatic italic texture is desired.

The overall tone is traditional and editorial, combining a classical bookish presence with an assertive, headline-ready energy. It feels confident and slightly theatrical in italics, suitable for emphasis that reads as deliberate rather than casual.

The design appears intended as a conventional serif italic with elevated contrast and strong presence, offering a classic publishing tone while remaining forceful enough for display use. Its shapes prioritize rhythmic calligraphic motion and decisive terminals to make emphasis feel substantial and polished.

The italic construction is consistent across letters and numerals, with terminals that often finish in tapered, beak-like points. The heavy color produces a dense typographic texture, so spacing and line breaks will play a noticeable role in maintaining readability at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸